OK, everybody . . . the Christmas 2019 edition of TOGETHER is available in church tomorrow. It contains some great articles, and a birds-eye view of what many of the Catholic Societies within the Church of England are doing. TOGETHER can also be downloaded HERE. It is without doubt the best edition yet. Congratulations to the editorial team!
Saturday, November 30, 2019
FORTY YEARS AGO TODAY!
In the Office of Readings for S. Andrew’s Day, S. John Chrysostom reminds us that
‘after Andrew had stayed with Jesus and had learned much from him, he did not keep this treasure to himself, but hastened to share it with his brother [Peter]. Notice what Andrew said to him: We have found the Messiah, that is to say, the Christ. Notice how his words reveal what he has learned in so short a time. They show the power of the master who has convinced them of this truth . . .’
‘Jesus’, as you would expect, is the most mentioned name in the New Testament; it occurs 930 times. The next most mentioned name is ‘Peter’ - 155 times. The name ‘Andrew’, however, is mentioned only 13 times, and mostly just in passing. Yet he is the very first of the disciples called by Jesus, and he responds to that call. He then brings Peter - the future chief apostle - to Jesus. In John 6 he brings a little boy with a modest lunch to Jesus, who takes it and feeds the five thousand. In John 12 (with Philip), he brings a group of Greeks to Jesus.
On S. Andrew’s Day, 1979 (40 years ago today!) in Ballarat Cathedral, I was made a deacon in the Church of God by the Rt Rev’d John Hazlewood who by then had been Bishop of Ballarat a little over four years. Father Austin Day, Rector of Christ Church St Laurence, Sydney, conducted the retreat and preached the ordination sermon, emphasising the importance of being like S. Andrew in responding to Jesus and then bringing other people to him. This morning I offered the Holy Sacrifice of the Mass in thanksgiving to the Lord for his love, his faithfulness, his forgiveness, and his blessing during the good times as well as during the hard times since then. I thanked him for my family, for the parishes and people I have tried to serve, and for so many wonderful colleagues who have helped to sustain me down through the years.
The photo above is of Bishop John giving me a New Testament (the one I still use when visiting the sick and housebound). Beneath his signature facing the title page he wrote '2 Corinthians 1:7', a verse of S. Paul that - 40 years later - I still regard as a little gift of encouragement from Bishop John (may he rest in peace):
‘Our hope for you is unshaken;
for we know that as you share in our sufferings,
you will also share in our comfort.’
Thursday, November 28, 2019
Tuesday, November 26, 2019
Friday, November 22, 2019
Saint Cecilia and Singing to the Lord
The veneration of the third century Saint Cecilia, in whose honour a basilica was erected in 5th Century Rome, extended far and wide because of the Passion of S. Cecilia that presented her as the ideal of a Christian woman in an age of persecution.
Nothing much is known of S. Cecilia, and the Passion is clearly a mingling of history and legend. But embedded in the memory of the early Church was the story of this woman whose love for the Lord and witness to the Gospel was responsible for the conversion of a large number of people. In turn it also led to her heroic martyrdom. S. Cecilia was added to the Canon of the Mass in 498.
She is regarded as the patron saint of music and musicians because of what is said to have been her ability to hear heavenly music in her heart. She is often represented in art with an organ or organ-pipes in her hand. (Because it's a bit quirky, I selected for this post Guido Reni's painting of her with a violin!)
In the Old Testament, the prophet Jeremiah sees the absence of song among God’s people as a sign of their spiritual death when they rebelled against him. But when Jeremiah speaks of the time of restoration and renewal, he says:
“There shall once more be heard the voice of mirth and the voice of gladness, the voice of the bridegroom and the voice of the bride, the voices of those who sing, as they bring thank offerings to the house of the Lord: "Give thanks to the Lord of hosts, for the Lord is good, for his steadfast love endures forever!" (Jeremiah 33:10-11)
I offer you today a little cluster of passages from the Scriptures as well as from other sources. Taken together, they inspire us to live and worship as part of the heavenly chorus with whom we offer our love and praise to the Lord.
SONG FOR S. CECILIA'S DAY
by John Dryden (1631-1700)
From Harmony, from heavenly Harmony
This universal frame began:
When nature underneath a heap
Of jarring atoms lay
And could not heave her head,
The tuneful voice was heard from high,
Arise, ye more than dead!
Then cold, and hot, and moist, and dry
In order to their stations leap,
And Music’s power obey.
From Harmony, from heavenly harmony
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man . . .
As from the power of sacred lays
The spheres began to move,
And sung the great Creator’s praise
To all the blest above;
So when the last and dreadful hour
This crumbling pageant shall devour,
The trumpet shall be heard on high,
The dead shall live, the living die,
And music shall untune the sky.
Go HERE for the whole poem
PSALM 40:1-3
I waited patiently for the Lord; he inclined to me and heard my cry. He drew me up from the desolate pit, out of the miry clay, and set my feet upon a rock, making my steps secure. He put a new song in my mouth, a song of praise to our God. Many will see and fear, and put their trust in the Lord.
PSALM 149:1
Praise the Lord! Sing to the Lord a new song, his praise in the assembly of the faithful!
PSALM 150
Praise the Lord! Praise God in his sanctuary; praise him in his mighty firmament! Praise him for his mighty deeds; praise him according to his exceeding greatness! Praise him with trumpet sound; praise him with lute and harp! Praise him with timbrel and dance; praise him with strings and pipe! Praise him with sounding cymbals; praise him with loud clashing cymbals! Let everything that breathes praise the Lord! Praise the Lord!
EPHESIANS 5:18-20
Do not get drunk with wine, for that is debauchery; but be filled with the Spirit, addressing one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with all your heart, always and for everything giving thanks in the name of our Lord Jesus Christ to God the Father.
COLOSSANS 3:16
Let the word of Christ dwell in you richly, teach and admonish one another in all wisdom, and sing psalms and hymns and spiritual songs with thankfulness in your hearts to God.
REVELATION 4
After this I looked, and lo, in heaven an open door . . . At once I was in the Spirit, and lo, a throne stood in heaven, with one seated on the throne! . . . And the four living creatures, each of them with six wings, are full of eyes all round and within, and day and night they never cease to sing, "Holy, holy, holy, is the Lord God Almighty, who was and is and is to come!" And whenever the living creatures give glory and honor and thanks to him who is seated on the throne, who lives for ever and ever, the twenty-four elders fall down before him who is seated on the throne and worship him who lives for ever and ever; they cast their crowns before the throne, singing, "Worthy art thou, our Lord and God, to receive glory and honor and power, for thou didst create all things, and by thy will they existed and were created."
SYMPHONY OF CREATION
(with a quote from Pope Benedict XVI)
(with a quote from Pope Benedict XVI)
By Fr Lawrence Lew OP of Blackfriars, Oxford
. . . we can think of creation as God’s song, and the Holy Trinity as the divine musician. The Father is the origin of the song. If you like, he knows the tune. But without words, and without breath to produce the sound, it is not a song. And so, when the Father sings, then by his Word, and with his Breath, which both proceed from him, the song of creation is being sung and sustained in being. So, the old song, if you like, is creation itself, and by his divine act of singing, God causes all that is, and holds everything in being. Marvel at the wonder of the world around you, and indeed, at your own being. For all creation, by its very existence, tells the glory of God … like a glorious symphony, and in perfect polyphony.
But then, God’s Word itself takes part in this symphony of creation. As Pope Benedict said in his recent apostolic exhortation, Verbum Domini, “In this symphony is found, at a certain point, what might be called in musical terminology a ‘solo’, a theme given to a single instrument or voice; and it is so important that the significance of the entire work depends on it. This ‘solo’ is Jesus”. The entry of Christ into God's creation, heralds a fresh outburst of song. We find that the New Testament begins and ends with song, from the canticles in Luke’s Gospel to the canticles of the Apocalypse, and all these songs form a central part in the Church’s liturgy; we sing them everyday. And in a sense, these are the new songs based, if you like, on the musical theme introduced by Christ into the symphony.
But I think Christ not only adds his voice to the song of creation and becomes a part of it, but actually he introduces a new song. Indeed, the eternal Word has taken on the flesh of music, so to speak, and as St Clement of Alexandria said, Christ has become incarnate as the New Song. St John says that “no lie was found” in the mouths of those who sing the new song. And this is because the song they sing is Christ who is the Truth. And the new song of Christ is greater than the old song of creation because the singer and the song is God himself. And so, when we are called as Christians - children of the new creation - to sing a new song, we are being invited to rejoice and participate in the life and being of God himself.
So, to sing the new song means to harmonize our lives with Christ; to live the life of grace in Christ. Jesus is the new song that we, the redeemed, can learn to sing, and we are able to do this when we have him in our minds and in our hearts, as St Cecilia did. But to sustain this song we need the breath of the Holy Spirit, allowing ourselves to be filled with God’s grace. And then, as we do every morning, we simply ask the Lord to open our lips, so that, with our very lives, we can praise his name, and sing his new song. Go HERE for the entire homily
COMMENTARY ON PSALM 22
S. Augstine of Hippo (354–430)
S. Augstine of Hippo (354–430)
Praise the Lord with the lyre, make melody to him with the harp of ten strings! Sing to him a new song. Rid yourself of what is old and worn out, for you know a new song. A new man, a new covenant; a new song. This new song does not belong to the old man. Only the new man learns it: the man restored from his fallen condition through the grace of God, and now sharing in the new covenant, that is, the kingdom of heaven. To it all our love now aspires and sings a new song. Let us sing a new song not with our lips but with our lives.
Sing to him a new song, sing to him with joyful melody. Every one of us tries to discover how to sing to God. You must sing to him, but you must sing well. He does not want your voice to come harshly to his ears, so sing well, brothers!
If you were asked, “Sing to please this musician,” you would not like to do so without having taken some instruction in music, because you would not like to offend an expert in the art. An untrained listener does not notice the faults a musician would point out to you. Who, then, will offer to sing well for God, the great artist whose discrimination is faultless, whose attention is on the minutest detail, whose ear nothing escapes? When will you be able to offer him a perfect performance that you will in no way displease such a supremely discerning listener?
See how he himself provides you with a way of singing. Do not search for words, as if you could find a lyric which would give God pleasure. Sing to him “with songs of joy.” This is singing well to God, just singing with songs of joy.
But how is this done? You must first understand that words cannot express the things that are sung by the heart. Take the case of people singing while harvesting in the fields or in the vineyards or when any other strenuous work is in progress. Although they begin by giving expression to their happiness in sung words, yet shortly there is a change. As if so happy that words can no longer express what they feel, they discard the restricting syllables. They burst out into a simple sound of joy, of jubilation. Such a cry of joy is a sound signifying that the heart is bringing to birth what it cannot utter in words.
Now, who is more worthy of such a cry of jubilation than God himself, whom all words fail to describe? If words will not serve, and yet you must not remain silent, what else can you do but cry out for joy? Your heart must rejoice beyond words, soaring into an immensity of gladness, unrestrained by syllabic bonds. Sing to him with jubilation.
HYMN TO NY GOD IN MY SICKNESS
by John Donne (1572-1631) Dean of St Paul’s
by John Donne (1572-1631) Dean of St Paul’s
Since I am coming to that holy room,
Where, with thy choir of saints for evermore,
I shall be made thy music as I come
I tune the instrument here at the door,
And what must I do then, think here before;
Go HERE for the whole poem
From NOW THE HEARING, NOW THE POWER
by Rachel Reeder
Our music is the sound of Jesus' name . . . We mean, of course, that our liturgies are outbursts of the grace already always present in the pain and shadows, the joy and the lucidity and intractable mystery of human life and love. We sing, if we sing, because we are involved in the fearful and beautiful and truth-telling story of God's redemptive presence at the heart of human life – no less present when we are naked and friendless than when we are sheltered and loved, the first presence promising the second.
The art, therefore, of liturgical song is not the composer's and performer's alone. Nor is it restricted to those who can articulate music’s meaning or appeal. Liturgical participation and song belongs also to the listener. Some members of the assembly are more likely to sing – at home, in the community and during worship – than are other people, and some people will sing at one time and not another. Nor is it accidental that we so often use musical metaphors to express the whole range of human responses (including non-vocal and inaudible ones) to the unnameable one, the God whose face is revealed in the Gloria we so indifferently sing on most Sundays . . .
Our liturgical songs are not recordings made in sound-proof rooms by people attuned to nothing but the sound of music. They are rather an integral part of the drama; they follow a pattern, but they are live, not staged. They begin were where we are, mute and bowed in sorrow for our sins (or maybe just feeling small); then, if words shoot up, they bid us raise our eyes and then ourselves to the table of salvation.
Participation in the liturgy, at times through glad singing, at times in rapt or restive silence, and sometimes just by sheer physical presence, frees us to contemplate things that cannot be reasoned and to see what cannot be seen: behind or beyond the enchantments and defeats of the ordinary is God – never-moving God, who sees everything, even the dark unspoken – and the love and courage to live again for one anther. We sing for a better life and for a justice that transforms the lives of the oppressors as well as the lives of the oppressed.
Thursday, November 21, 2019
Monday, November 18, 2019
S. John Henry Newman's MEDITATIONS AND DEVOTIONS
From the National Institute for Newman Studies (USA) website, this is a collection of prayers and reflections originally put together for students at the Oratory School in Birmingham. It was compiled and first published by Fr William Neville in 1893, three years after Newman’s death. It is a witness to Newman’s simple, confident and humble faith, and includes his devotion to Our Lady, to his patron saint Philip Neri and to the Stations of the Cross, meditation before the Blessed Sacrament and the Rosary. From the “Meditations on Christian Doctrine” comes this well-known passage:
God has created me to do Him some definite service; He has committed some work to me which He has not committed to another. I have my mission – I never may know it in this life, but I shall be told it in the next. Somehow I am necessary for His purposes, as necessary in my place as an Archangel in his – if, indeed, I fail, He can raise another, as He could make the stones children of Abraham. Yet I have a part in this great work; I am a link in a chain, a bond of connexion between persons. He has not created me for naught. I shall do good, I shall do His work; I shall be an angel of peace, a preacher of truth in my own place, while not intending it, if I do but keep His commandments and serve Him in my calling. Therefore I will trust Him. Whatever, wherever I am, I can never be thrown away. If I am in sickness, my sickness may serve Him; in perplexity, my perplexity may serve Him; if I am in sorrow, my sorrow may serve Him. My sickness, or perplexity, or sorrow may be necessary causes of some great end, which is quite beyond us. He does nothing in vain; He may prolong my life, He may shorten it; He knows what He is about. He may take away my friends, He may throw me among strangers, He may make me feel desolate, make my spirits sink, hide the future from me – still He knows what He is about.
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